Category Archives: Adventures

Mile 436: Make a Sound Like an Author

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“Go and make interesting mistakes. Make amazing mistakes. Make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.”
–Neil Gaiman

Miles since last time: 102.5
Total miles: 436

The surest way to send your week downhill pretty quick is to start it out on a high–like seeing Neil Gaiman on a Monday, for instance.

I speak from experience.

That’s right. Last Monday, a few friends and I attended the Emerson-Wier Liberal Arts Symposium at the University of Science and Arts of Oklahoma in Chickasha to see world-famous, award-winning writer Neil Gaiman. It was a rest day well spent.

Surprisingly, I found out about the event through my gym. When I saw the flyer in the window, I nearly had a heart attack. Neil Gaiman? In Oklahoma? FOR FREE? Sign me and three friends up.

His face was on our tickets!

His face was on our tickets!

Gaiman is responsible for giving the world Coraline, Stardust, Neverwhere (which I’m currently reading), American Gods, his famous “Make Good Art” speech, and so much more, including two episodes of Doctor Who. As someone raised in Chickasha, I can tell you that this type of thing does not happen often.

The month or so between ordering the tickets the tickets and attending the event was marked with much anticipation and coworker jealousy. Sometimes, I would silently squeal “NEIL GAIMAN” to myself and smile for what others probably thought was no reason.

The event was general admission, so my friends and I did have to wait in line for a bit, but it was a small price to pay. Before we entered, the staff passed out programs with question cards inside. If we so chose, we could write a question and he may or may not answer it later. I knew I wanted to ask something but had no idea what. He surely gets the same questions all the time. I mean, he’s Neil F-ing Gaiman.

Once the doors opened, I spent some time thinking about what to ask while continuing to chat with my friends. (It had been a long time since we’d all been in the same room, so some catching up was necessary.) At some point, I sort of mentally threw my hands in the air and wrote something down. Spoiler alert–he did not answer my question. NOW I’LL NEVER KNOW.

My question for Neil Gaiman: "What are you reading right now (besides this question), and how are you enjoying it (may or may not apply to this question)?"

My question for Neil Gaiman: “What are you reading right now (besides this question), and how are you enjoying it (may or may not apply to this question)?”

Finally, a student came out and introduced Mr. Gaiman to the packed house, and he filled the auditorium with his distinguished British tones for an hour and a half. He talked about where writers get ideas, the lie of writer’s block (after all, gardeners don’t get gardener’s block), read two stories from A Calendar of Tales, talked about working with his dear friend and colleague Terry Pratchett (who unfortunately passed away a few days later), and answered questions about everything from how he met his wife to what missteps he’s made in his career. The biggest laugh line came when he picked up a card and read the question, “How does someone get an agent?”

He paused, looked up at the audience, and said something along the lines of, “Go to a place where agents gather and make a sound like an author.”

It's Neil Gaiman--I promise!

It’s Neil Gaiman–I promise!

(I say “something along the lines of” because I, most unfortunately, do not have the auditory equivalent of a photographic memory. I’m getting older, people.)

He was everything you would expect a Neil Gaiman to be: wild-haired, engaging, thoughtful, insightful, funny, and just all-around awesome. Do I even need to say this? He’s Neil F-ing Gaiman.

In deep discussions about the event afterward and reading other bloggers’ accounts (such as Alyssa Grimley’s and Lex Selzler’s), I’ve discovered that different people were inspired by different aspects of the evening, whether it was hearing an author read his own work, hearing him assure amateurs that you should focus on making an interesting thing instead of getting a paycheck, or so many more things than I could possibly say here.

What struck me most was how much Mr. Gaiman is a storyteller to his very core. He took every opportunity to give us a full picture of every little detail of whatever he was discussing. When talking about how he got involved with Doctor Who, he launched into a scary-accurate impression of Steven Moffat. When talking about getting his start in journalism and lying about what publications he’d written for, he told us that he made sure to go back and write for each and every one of them so that he wouldn’t be a liar–just a bit chronologically inaccurate. He could have so easily answered any question with a sentence or two, but he took the time to give each his full attention and the Neil Gaiman treatment. He took the time to tell each story.

He made sounds like an author.

And that’s what was inspiring to me.

“Make a sound like an author” may have been intended (and received) as a joke, but as I continue to examine that night, I’m realizing what that really means. For me, “make a sound like an author” means “take every chance to tell stories.” Do it with every breath, with everything you have, with every word you know. There are stories only you can tell, and people want to hear them.

After I got home, I felt the need to somehow tell Mr. Gaiman how amazing it was for him to come to Chickentown (I’m from there–I’m allowed to call it that) and that he should come back soon and often, so I did the only thing I could think to do: I tweeted him.

And then this happened.

I'm @stonebarky, in case you were wondering.

I’m @stonebarky, in case you were wondering.

I hope you do, too, Mr. Gaiman. Or may I call you Neil now, since we’re Twitter best friends?

Mile 230: A Conversation With Myself

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“I’m looking for some back and forth with you.
Are you feeling the same as I do now and now and then?”
–Foo Fighters, “Back and Forth”

Miles Last Week: 50
Total Miles: 230

Now that I’m about halfway through Level 1 improv, I think it’s time I checked in with myself about how it’s going. The talk was longer than anticipated…


Hi, Amanda.

Hey.

I know you’re excited about The Walking Dead coming back today, but I’m going to need you to focus and answer a few questions.

Okay. But Better Call Saul starts tonight, too, so I can’t make any promises.

Fair enough.

So, whatcha wanna talk about?

Improv.

Yay!

So I take it that means it’s going well?

Yeah, I mean, I laugh a lot. It’s really fun, and I’m definitely learning a lot. I’m not super great at it, but I always look forward to it every week.

That’s great–but you decided to join for a lot of reasons. How’s the rest of it working out? Are you using improv skills elsewhere? Are you participating more? Are you feeling more creative/funny?

Um…

Uh oh.

What’s that supposed to mean? You asked a lot of questions in a row. I was just trying to decide which one to answer first.

Sure you were.

Whatever, Amanda.

"Talk to Yourself Hat" by Kate Hartman Source

“Talk to Yourself Hat” by Kate Hartman
Source

Let’s just take them one at a time. Are you using improv skills elsewhere?

Well, I’m writing this blog post. That’s kind of improv-y.

You’ve been thinking about this since yesterday. That’s not at all improv-y.

Oh. Good point.

I know.

Well, no need to get cocky about it.

Just answer the question.

You’re mean.

No, I’m not. I’ve just learned that I need to be firm with you.

You are me.

I know. I’m not proud of it, either.

You’re doing that mean thing, again.

Okay, next question. Are you participating–without being prodded?

Um…

Good lord.

Hey, now. I’m participating. I’m just still working on the whole “prodding” thing. It’s only been four weeks. Changing behavior takes time.

I suppose that’s understandable.

I know.

Don’t do that.

What? You can, but I can’t?

Pretty much.

You’re the worst.

I’m you.

I’m aware.

Still, come on. You can jump out there. I know you want to.

I know. But the other people in my class are so creative/funny/quick. It’s slightly intimidating. I might screw up.

There are no wrong moves in improv. It’s one of the rules and everything.

I know, but…

Are you so arrogant that you think you are the one person who can mess up improv?

Ouch.

Besides, it’s not like you are a stranger to trying something and failing. Do I need to remind you about the Planking Challenge of 2013? Or the NaNoWriMo disaster?

You bastard. How dare you.

Life’s hard. Get a helmet. And jump out there–literally. It’ll probably be more entertaining that way.

I’m working on it. And you’re still mean.

Yeah, yeah, whatever. Are you feeling more creative/funny?

Um…

You’ve got to be kidding me.

Well…

What’s the problem?

I wouldn’t say there’s a problem, per se. I just think I tend to go to the most obvious thing and not necessarily the most creative. I’m still working on that, too.

Well, just say something creative/funny right now.

Eek…

You did it, didn’t you? That squeak thing you do when you don’t know what to do?

No. Shut up.

You were expressly told to work on not doing that.

I know. I am, but–

But changing behavior takes time. I know.

You’re sympathy is overwhelming.

As for the “obvious” thing, sometimes you just have to say the obvious thing to get it out of your head and then you build off of that. Plus, sometimes the thing that’s obvious to you isn’t obvious to everyone else.

Fair point.

I know.

Not again.

Anyway, I can see that we’ve made progress but that there’s still some progress to make. It’s okay, though. We can do it.

Did you just say something moderately encouraging? It’s like I don’t know you anymore.

I’ll be ignoring that.

You would.

You would know.

Mature.

Look who’s talking.

Whatever. We’re agreed, anyhow. We’ll keep working. We’ve got this.

Yeah. You’re not so bad.

You’re still mean.

Ignoring that.


That wasn’t so bad, I suppose. It’s good to check in with yourself every now and then. I have some things to work on, and I’m going to. It’ll be good. It’ll be fine. I think.

Mile 111: Baby’s First Improv Class

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“I said, ‘Yep, what a concept.
I could use a little fuel myself,
And we could all use a little chaaaange.’”
–Smash Mouth, “All-Star”

Miles since last time: 85
Total miles: 111

Yesterday, I attended my first Level 1 class at the OKC Improv. In a word, I’d say it was…

GREAT.

Actually, I’m gonna need two words because “fun” should also definitely be thrown in there.

I could use several more adjectives, but I’d just be taking them out of the thesaurus entries for both fun and great, so those’ll work.

I mean, I wasn’t great–that would be awfully presumptuous of me to say (not to mention incorrect)–but I’m just starting out, okay? There’s obviously room to grow. A lot of very open, spacious room in which I may flail around without any idea of what I’m doing. Surely that flailing will eventually become slightly more intentional. Eventually.

Luckily, the other six people in my class are all funny and creative, and my teacher is the founder of the OKC Improv, so I feel like I’m in good hands and I’m not intimidated at all.

*cue uncomfortable laughter* Source

*cue uncomfortable laughter*
Source

Okay, maybe a little intimidated, but I’m doing what any normal person would do: shoving it down and pretending it doesn’t exist. It’s totally fine.

Since signing up for classes, I’ve been doing a lot of thinking about what I want to get out of improv–you know, besides “be funny” and “think on my feet.” Those seem kind of obvious.

Anywayz (look, an inappropriate z–I’m being edgy!), here are some of the things I hope to learn:

  1. Become a better/stronger/faster writer.
  2. Go with an idea without talking myself out of it.
  3. In fact, let’s work on those filters as a whole.
  4. Also, maybe come up with some ideas.
  5. Jump in without being prodded.
  6. Be more present. (Ugh. I usually hate it when people say things like that–it has an air of pretension, but that’s my own word prejudice–but it’s still true. I want to be more present.)
  7. Work with fun, creative people and do fun, creative things that will hopefully encourage some form of laughter or generally pleasant feelings in all of us and others.
  8. Get more involved with comedy. I like it. It’s fun.

I may only be one class in, and I may have sweat through my cardigan during that one class (it’s gross but true), but I have to say that I’m pretty excited about this whole improv thing.

And yes, it’s a wee bit intimidating. Fortunately, the Ravenclaw in me is pretty much saying, “Yay for learning new things from knowledgeable people!” so I’m trying to embrace that.

I’m already looking forward to next Saturday.

Mile 662: 1,114 Miles to Wilmington

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“I don’t want to live a lie that I believe.”
–30 Seconds to Mars, “Do or Die”

Miles Since Last Time: 78.75
Total Miles: 662

In spring 2012, I wrote a paper called “Pied Piper vs. Faun: Storybooks and Female Empowerment in The Sweet Hereafter and Pan’s Labyrinth” for my senior film seminar. One of my professors encouraged us to submit our papers for publication in journals. I shrugged, asked “Why not?” and was directed toward Film Matters, an undergraduate film journal published by the University of North Carolina Wilmington. About a year later, my paper was officially accepted. Yay!

PPvsF

This past January, I received an email inviting me to submit the paper to Visions4, a film festival and conference also hosted by UNCW. It’s completely organized by undergrads, for undergrads (or the recently graduated, in some cases), and featuring a day full of undergraduate work.

They were accepting films (which I didn’t have) and papers (which I did have). Again I asked, “Why not?” and submitted. In February, I found out that it had been accepted, and Friday, April 4, I did a fifteen-minute presentation over “Pied Piper vs. Faun.”

It was terrifying/exciting/scary/amazing.

Sure, I may have had a minor freak out in the days leading up to the event and whisper-yelled “This is impossible!” at my computer screen while I tried to make cuts to my presentation. I definitely finalized it about five hours before I was on a plane to North Carolina. Yes, I was somewhat intimidated by the other seven scholars who were presenting papers and the filmmakers who had made such lovely films. (I mean, they were using a lot of three- and four-syllable words, and I said the name of my paper incorrectly when I introduced myself.) Plus, my mouth was so dry during my fifteen minutes that my lips were sticking to my teeth.

presentation

I cracked a few jokes, though, and people laughed at the appropriate times. Success! (Even though it wasn’t really enough to return the saliva to my mouth.)

The feedback was positive, and I got to watch a lot of good short films and hear smart people talk about all kinds of movies. I toured Screen Gems Studios and saw the Sleepy Hollow set. (Seriously, I was IN the library, but I couldn’t take pictures or touch anything, which is probably for the best.) I walked on the beach, had coffee in Atlanta, and fell asleep on not one, but FOUR planes. And last but not least, my team won the one-hour, one-take video race. Success again!

Of course, I had to miss a few days at the gym–but if you’re going to skip some workouts, I definitely recommend spending that time in North Carolina.

One of the things that surprised me most about my trip was how it reminded me of what I really miss about college. In the last year and a half, I’ve partly forgotten what it’s like to be constantly around creative people who are passionate about their art and making stuff. The whole experience was really quite invigorating. It’s made me think a lot more about how I spend my time and how I should be spending my time.

Basically, I need to make more stuff.

I suppose my little trip to Visions4 helped me adjust my vision, eh? See what I did there?

Sorry, guys. That’s the risk of hanging out with a self-recognized dork.